Showing posts with label Props. Show all posts
Showing posts with label Props. Show all posts

Monday, 19 November 2012

The not-so-original cameo

I was having a browse through Facebook earlier today, when I noticed something shared on my friend's wall:

Facebook
























I immediately recognised the image–as I'm sure many of you probably will. Nonetheless, I decided to give its 'creator', Diamond*Star*Halo, the benefit of the doubt and checked out their page listing. Instead of acknowledging of the piece's source, I found this:
This piece is not for the timid. The Succubus slinks across her prey in an ornate, antique silver tone setting full of rhinestones.
This original cameo was designed by me and is not to be replicated in any manner.
It takes a lot of balls to tell other people not to replicate a piece that has been replicated from elsewhere. The image is derived–sorry, I meant ripped-off–from an 1897 painting by Philip Burne-Jones: 

Art of the beautiful-grotesque

 It wasn't called Succubus, either. It's actual name? The vampire. It's very well-known image. It's graced the covers of non-fiction works like Nicolaus Equiamicus' Vampire: Von damals bis(s) heute (2010), Joachim Nagel's Vampire: Mythische Wesen der Nacht and Wolfgang Schwerdt's Vampire, Wiedergänger und Untote. Auf der Spur der lebenden Toten (both 2011).

And Diamond*Star*Halo would've gotten away with it too, if it hadn't been for this pesky vampirologist!

Friday, 19 October 2012

A stake in vampire killing kits

At the 7:29 mark, we see a bunch of people getting ripped-off during an auction—inadvertently, it would seem, but the auctioneers. It's taken from the season 1, episode 1 edition of Auction kings (26 October 2010).


If you can't be arsed watching the clip, a vampire killing kit winds up being sold to a telephone bidder for US$12,000—far higher than the US$7,500 asking price.

A seller named 'Edwin'—who repeatedly emphasises that he's keen to make a down payment on his house—had presented a supposedly antique vampire killing kit to Paul Brown.

Brown is clearly impressed by the kit, but drafts his father, Bob, in to take another look. Much to my amazement, Bob gives it the seal of approval—but tellingly recounts a story commonly associated with such kits (10:13). Indeed, it's even been established that he's sold 'two or three of these kits' before (2:55). 

He's also familiar with the exorbitant prices they sell for, likely on account of their pseudohistory; namely, that they were manufactured in Europe during the 19th century for use by travellers against the undead. 

Bob does little more than glance it over; a common practice when such kits are 'examined'. The stories seem proof enough, even though no auction house or museum—including Ripley's—has actually verified the associated tales.

Thankfully, not everyone falls for this routine. In the 24 October 2011 episode of Pawn stars, 'Rick or treat', a seller tries to palm one off for US$9,000. Thankfully, Rick Harrison immediately sees through it. 'There's some stuff that doesn't make sense to me . . .' (3:11); the kit utilises vampire lore associated with Stoker's novel, Dracula (1897), for instance, a mirror—that looks remarkably clean for something well-over 100 years old.

Stoker invented the vampires-don't-have-a-reflection-in-mirrors trope, which automatically pushes the kit's date further up the 19th century. Harrison also takes issue with the 'obsolete' gun included in the kit, recognising that it's something that's been retroactively added to the kit. I'm glad that some dealers don't take these things hook, line and sinker.

Unfortunately, 'antique vampire killing kits' are a thriving trade. I call it the Blomberg Effect: what likely started as a few novelty kits manufactured in the 1970s, soon turned into a 'trade' as media coverage revealed the kits selling for ludicrous prices. The rest, onward, are cash-ins—like this US$4,995 example by Tracy L. Conway.

'Antique' vampire killing kits are fake. They're generally cobbled from actual antique components—be it firearms, Bibles or prayer books, or the kit box, itself—and other items which are artificiality aged. They often come associated with a backstory—their main claim to 'authenticity' is that they were manufactured in the 19th century as a traveller's item for journeys in Europe. Occasionally the name 'Ernst Blomberg' or 'Nicolas Pomdeur' will be mentioned.

The weapons and wards in the kits, however, are often post-Stoker allusions to vampire lore. Remember, Stoker's Dracula was fiction, not a chronicle of vampire lore. He was at liberty to make stuff up. Auction houses and museums aren't.

Caveat emptor!

Thursday, 18 October 2012

How to kill a vampire

I was recently contacted by Julia Lumley, Royal Armouries' Communications Officer, who asked me if I'd be 'interested in a talk by Jonathan Ferguson, titled How to Kill a Vampire, where he will be talking about the various means of slaying vampires in both folklore and fiction, including the real story behind the mysterious vampire killing kits.'1

Readers may recall Ferguson from the previous entry—he is the Curator of the Royal Armouries in Leeds. He also wrote a brilliant article for Fortean Times (no. 288, 2012) called, 'To kill a vampire', which concerns itself with the glut of supposedly antique vampire killing kits that've been appearing in museums and auction houses within the last two decades. I think it's fair to say that Ferguson is an expert on the topic.

Lumley's email added, 'There will also be a chance to see the kit up close' and 'Is this something you would be interested in featuring on your blog as a follow up story?' Wouldn't I!

Unfortunately, I can't see the talk or the kit up close—as much as I've love to—because I'm on the other side of the world. 

However, if you're in the UK, near there or even planning a visit, Ferguson will be giving his lecture on 30 October 2012, 6.30pm at the Royal Armouries' Bury Theatre, Leeds. His talk concerns
the various means of slaying vampires in both folklore and fiction, including the real story behind the mysterious vampire killing kits.
How much will the lecture cost? A measly £5. That's it.

The lecture goes for an hour and a half and you get to see one of these fabled kits up close. Cheaper than a movie. 

Lumley's also provided me with a stack of promotional pics to share2—the ones that line this blog entry. I pass them onto you, dear reader.

So, what do you think guys? Are you up for it? If you're able, do it. It's a fantastic opportunity and Ferguson certainly knows his stuff. Don't miss out!








1. J Lumley, email, Friday, 12 October 2012 2:04:25 AM.  

2. ibid.; J Lumley, email, Monday, 15 October 2012 8:03:00 PM.

Friday, 16 December 2011

Buyers beware!

Here's Meredith Woerner, author of Vampire taxonomy: identifying and interacting with the modern-day bloodsucker (2009), examining a vampire killing kit in Ripley’s Believe It or Not! Times Square, New York:


Woerner's not an antiquarian—she's an entertainment writer, which is why her 'examination' involves naming the box's contents and mucking about with them. However, Ripley's Times Square/Ripley's London's president—Michael Hirsch—also seen in the clip, states: 'This is the real thing. This was, uh, uh, produced in the 1850s, and it was used for travellers if they were heading into Eastern Europe. Uh, a fear of vampires if they were heading there. So, this is, this is the real, actual kit.'

Does he have a professional antiquarian background? No, but he does specialise in 'P&L Analysis/Management, Staff Motivation, Customized Best Practice Sales Techniques, Accelerated Expense Reduction, Internal Labor Analysis, Brand Leveraging/Building, Traditional and Digital Marketing Practices.'

So, how have these kits been authenticated? I asked the '"main" purchaser' of Ripley's vampire killing kits, Edward Meyer, how he determined their 19th century origins. He said: 'One of the key elements in a vampire killing kit is a pistol. Pistols can easily be dated by style, and maker. Some of the guns actually have dates an initials on them..From a study of several kits it is obvious some are older than others, but the guns typically come from the 1840s-50s'.

Fair enough, except an old gun in a box doesn't necessarily confirm the reality of the kit—at least, for its alleged purpose—as The Mercer Museum, Doylestown, Pa., will attest.

How about contemporary evidence? If the kits, were, indeed, sold during the 19th century, there'd likely be some record of their sale. An advertisement, something. Indeed, a Ripley's press release states, 'Most were created in the Boston area and were available by mail order.' I asked Meyer whether or not he'd seen these mail orders. 'No'.

How about a contemporary reference to their use or sale? 'No, we have nothing any earlier than 1990 mentioning their existence.' Skipping ahead, I asked whether it was possible the kits were 'late 20th/early 21st century forgeries'. He said: 'Anything is possible. I know of no hard evidence to confirm where or when any of these items were made. As I stated before the date of the guns is the only thing you can confirm with confidence…..We have found these kits in a number of different states, and three different European countries. Modern guns certainly suggest “forgeries” (your word not mine). The kits exist, they are “real”, and for the most part they are all different, so the debate isn’t really over their existence, but simply how old are they.'

But I say the debate is over their age. After all, they do exist—in the sense that such kits incorporate 19th century parts and are alleged to offer protection against vampires—but their 'existence', as antique vampire killing kits, hinges on the claim they were manufactured and sold during the 19th century. Otherwise, they're modern forgeries; 'forgeries' which are auctioned off for several thousand dollars.

A few days after my interview with Meyers, one of Ripley's bloggers—Big Oposted an entry repeating the 19th century origin of vampire killing kits under 'Weird True Facts', adding they contained 'items considered necessary fir [sic] the protection of persons who traveled [sic] into the countries of Eastern Europe, where the populace was reportedly plagued with a peculiar manifestation of evil known as Vampires.' To that blog entry, I've added my own two cents:


I wouldn't've done it if a commenter's 'This was proven to be a hoax' statement wasn't refuted by the entry's author: 'Not at all … as a matter of fact we are still finding out more information about these kits. Next week we have a “vampire” gentleman from the UK who is a gun expert. He is gong to examine the different guns in a bunch of the kits to ascertain the date when they were made.'

Wednesday, 14 December 2011

Heart in a box

I've dealt with the duplicity of 'antique' vampire killing kits and the ridiculousness of 'Vampire Cage' and its imitators, now let's take a look at another unusual collectible.

Life is really beautiful
A box containing the suspiciously well-preserved heart of Auguste Delagrange—and the stake which impaled it—sold on eBay late last year for US $320.10 after 20 bids. Unlike many other vampire 'antiques', the seller courteously labelled the item a 'Prop/Gaff'.

I've traced the heart's origins to Propnomicon, which 'focuses on horror and fantasy props of interest to fans of H. P. Lovecraft and players of the "Call of Cthulhu" role playing game.' Its creator states, 'All this week [May 2010] I've been working on producing a realistic mummified vampire heart as part of a larger project. After a few failed attempts I finally have something I'm happy with.'

Clearly impressed with his work, he lovingly describes 'The large hole in the left auricle is where the ashen stake that de-animated this particular vampire entered the heart. Along the top you can see the stubs of the major vessels (pulmonary artery, aorta, superior and inferior vena cava) from when the heart was cut from the creature's chest.' Tasty.

The heart's saga is continued here and here.

Monday, 3 October 2011

Dismantling vampire kits

Spooky land contains a series of fascinating articles on—what I regard to be—fake antique vampire killing kits. For my previous writings on vampire killing kits, see: 'The scoop on vampire killing kits', 'The Blomberg effect' and 'Vampire killing kit update!'.

There are many versions of these kits. They're generally supposed to have been made and sold in the 19th century. Some are auctioned off thousands of dollars. Two names commonly associated with them are Ernst Blomberg, a supposed vampire expert, and Nicholas Plomdeur, a Belgian gunsmith. The problem is, there's no credible evidence that kits were manufactured by these gentlemen.

Spooky land's 'Regarding Ernst Blomberg', says it is 'becoming increasingly unclear is whether these kits, often commanding tens of thousands of dollars at auction, are instances of actual antiques, or modern assemblies of old parts and fill-ins, intended to deceive the buyer.' I argue that the latter's the case. But first, let's examine the evidence of Blomberg's role in their creation.

Firstly, the article establishes the reality of a man named Ernst Blomberg. However, there's some difficulty in establishing which Ernst Blomberg he was. Three candidates are listed, Ernst Diedrich Wilhelm Blomberg, Ernst Ludwig Werner Blomberg, but the author settles on Ernst Freiherr von Blomberg, a 'Professor of Zoology'.

The author was contacted by someone named Meredith, who provided further information on Freiherr von Blomberg, telling him that in the Universität zu Lübeck's library, there 'several courses from one Professor Ernest Freiherr von Blomberg, who was a Professor of Zoology from 1856 until 1903, the year he died'.

I checked the catalogue of the University of Lübeck's library—the Zentrale Hochschulbibliothek Lübeck—and found found three records for works under an author search for 'Blomberg'1: none of them were written by an 'Ernst Blomberg'.

Meredith went on to say that 'The man seems to have had an obsession with shapeshifters and other creatures alike, for he wrote a rather unreadable book on it, "Die Verwandlung im Prinzipus: Tiere une Maenschen und Ihre Gottlose Vereinen", ed. 1869'. However, a search for the title on global library catalogue, WorldCat, yielded zero results.

Her case isn't helped by defending the authenticity of a vampire kit found in the Surnateum: 'In conclusion, and as far as this claim goes, the Vampire Killing Kit at the Surnateum is not a forgery; is not a contrefact [sic] from 1972; does not contain fake ustensils [sic]; does not contain names and personae who are not traceable.' The 1972 reference concerns Michael de Winter, a firearms collector who claimed to have manufactured vampire killing kits during that period. She alluded to him again: 'It seems that some people would like to get credit (and a lot of attention) for something they didn't achieve. And that's the truth.'

The link to the Surnateum is telling, as Meredith—a poster on SurvivalArts—is the source of this extra info on Blomberg. The author briefly covers their kit, adding, 'The Surnateum has a lovely website, but the contents should be viewed with a grain (or two) of salt.' Why's that? Let's take a quick detour to the museum.

The Surnateum, or Museum of Supernatural History, is 'the virtual front-end for one of the most astonishing collections of authentic magical artefacts and strange stories gathered from around the world by the Collectors and Curators for more than a century.' It also features a page for the kit, claiming it was 'sold by Professor Ernst Blomberg in the second half of the 19th century' and has been in their collection 'since the late 19th century'. Oh, and Blomberg was supposed to have used the kit's 'pistol in 1888 against a creature dubbed Jack the Ripper by the British press of the day.'

But the pistol has a greater claim to fame. It was apparently used against one of the worst mass murderers of the 20th century: 'After looking at several options, the Collector opted for a young major, an SS Sturmbannführer in the Waffen SS by the name of Otto G., with whom a meeting was organised.' And on to say, 'The right moment presented itself during the afternoon of Monday, 30 April 1945. Shortly after marrying Eva Braun, a depressed Hitler announced that he was going to commit suicide; the excuse was perfect.' You get the drift.

The magic cafe

Clearly, we're dealing with an elaborate hoax, especially as the author showed that a scan of Blomberg's Die Verwandlung im Prinzipus: Tiere une Maenschen und Ihre Gottlose Vereinen (1869) title page, was actually derived from Rudolf Leubusher's Ueber die Wehrwolfe under Thierverwandlungen im Mittelalter: Ein Beitrag zur Geschichte der Psychologie (1850), as well as some of its content. The Museum's 'Curator', Christian Chelman, has shown no qualms circulating the hoax elsewhere (above). Of course, that's probably not too surprising, due to his, uh, condition: 'After being possessed by a formidable voodoo entity (the Trickster Eshu/Loki) during a shamanic ritual, his personality is now forever split in two - Chelman/Youki - and is very hard to control.'

As the author notes, Leubusher is sometimes promoted as 'a colleague of Blomberg', which can be seen in his Wikipedia entry. Perhaps unsurprisingly, this 'info' is not found in the German version. It's obvious that Leubusher's connection to Blomberg is an in-joke, a way of 'referencing' the source of the manufactured Blomberg book.

The only known publication of Ernst Freiherr von Blomberg, is an article for Zeitschrift für die gesamte Neurologie und Psychiatrie.2 Wikipedia's 'Freiherr von Blomberg' entry, which incorporates Ernst Freiherr von Blomberg's former standalone page, notes that the article has nothing to do with vampires, but is actually 'a terse, observation-driven medical account of a child (known as C.K.) with hydrocephaly, commenting on the patient's general condition and observations made during autopsy.'

Vampire dark news
Yes, 'standalone', because someone went out of their way to create a page dedicated to the man, as well as providing a picture of him (left) before the Wikipedia editors stepped in. His incorporation into 'Freiherr von Blomberg', itself, is considered 'dubious'.

Blomberg also has other dodgy titles supposedly penned by him. One of them is an 1891 paper, 'Beiträge zur Studien der Thierverwandlungen' (Contributions to the study of animal transformations), which is not only out of step with Blomberg's known research, but its existence, too, is unverified, as the author notes: 'Efforts to substantiate the existence of this paper are ongoing. Unfortunately, this title sounds suspiciously like the original title of the Leubusher book . . . borrowing several of the words from the original title (Beiträge and Thierverwandlungen - a grammar check would be helpful).'

Another title, covered in the author's same article, is a pamphlet titled 'The vampire', supposedly published by John E. Taylor, London, n.d. Unlike the other fabricated works, this title has been included in certain vampire killing kits. However, the author notes the pamphlet's 'similarity' to H. S. Olcott's 'The vampire', which was published in The Theosophist, vol. 12, 1891: 'It appears that the title page has been changed, and the rest of the content plagarized.'

It seems Blomberg's a popular name to link to vampire killing kits. A brand, if you will. You can buy a copy of Charles Blomberg's The creature vampyre (1999) on Amazon for $334.93. As ludicrous as that price is for a 47 page book, its product description at least admits its fakery: 'The Creature Vampyre should be considered fictional and is not meant to portray a friend, neighbor, or family member. Any similarity to anyone living or dead (?) is merely co-incidental.'

Regarding Nicholas Plomdeur, he, too, was a real person. A gunmaker. But that's as far as the 'evidence' goes. There is nothing to substantiate his role in providing firearms for these kits. All we know is, some kits incorporate his pistols. That's it. If one of these kits came with a pair of Peacemakers, that wouldn't automatically prove Samuel Colt was involved in the vampire killing kit trade.

The best evidence we need to determine the authenticity of these kits, is a paper trail. Contemporary references. Something that directly connects them to Blomberg or Plomdeur. Even authenticating their 'age' isn't good enough: the kits are composed of actual antiques, with some artificially aged. The kit housed by Mercer Museum, Doylestown, Pa., is one such example (see 'Vampire killing kit update!'). Considering the price these kits attract, much more effort should go into determining their authenticity.



1. Hans Blomberg and Raimo Ylinen's Algebraic theory for multivariable linear systems (1983), Astrid-Christine Blomberg's Einsatzmöglichkeiten automatisierter Screeningtechniken auf dem Gebiet der Krebsfrüherkennung bei Frauen in der Bundesrepublik Deutschland (1979) and Axel v. Blomberg's Ergebnisse der Röntgen- und Telekobalt-Bestrahlung sowie der kombinierten chirurgisch-radiologischen Behandlung von Carcinomen des Larynx und Hypopharynx (1964).

2. F v Blomberg, 'Ein seltener fall von Hydrocephalus' (A rare case of hydrocephalus), Zeitschrift für die gesamte Neurologie und Psychiatrie, vol. 24, no. 1, 1914, pp. 200–16.

Sunday, 25 September 2011

Kill the dead!

Corpses for sale

Another image from my aborted website, you'll recognise one as the thumbnail next to 'Kill the Dead!'. It's a life-size 'Female vampire corpse', created by Di Stefano Productions. You can score your own for $600. The stake's removable.

The rest of their website's just as icky; although, I did get a few laughs from their hate mail.
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